Long Play: Sam Prekop, KatzPascale, Elori Saxl & Henry Solomon, GEORGE, Cosmic Tones Research Trio
About This Event
Long Play at Public Records presents a cross-disciplinary electronic bill: Sam Prekop (of The Sea and Cake; seven solo albums), KatzPascale, Cosmic Tones Research Trio, and New York performers Elori Saxl, Henry Solomon and George. The lineup foregrounds artists who move between club and concert formats—KatzPascale’s hybrid sets, Prekop’s recorded-song focus, Saxl and Solomon’s song-based, venue-driven collaborations—and George’s stand-up work that mines everyday language.
About the Artists
Sam Prekop
Sam Prekop is an American musician known for his work with The Sea and Cake and a parallel solo practice that spans seven albums. His music sits between post-rock sensibility and electronic construction, often built from modular patterns and steady, patient shifts.
KatzPascale
KatzPascale is an electronic group heard regularly in New York City’s live circuit, with appearances at Elsewhere across multiple rooms and bills. Their recent performance history ranges from ANTICS Fundraiser with Babehoven to shared lineups with Poolside (DJ set), Tycho (DJ set), Teen Daze, and Danny L Harle at The Hall.
Elori Saxl
Elori Saxl is a rock/pop artist whose work turns up in New York City’s performance circuit, including appearances at National Sawdust. She has shared bills and projects with a wide range of acts, from Britton & The Sting and Lola Kirke with Odetta to Black Belt Eagle Scout and Mato Wayuhi with Ailani, as well as multidisciplinary programs like Huang Ruo’s *A DUST IN TIME* and Kaoru Watanabe’s *Bloodlines Interwoven*.
Henry Solomon
Henry Solomon is a New York City–based rock/pop artist whose work often moves between club sets and concert-stage collaborations. At National Sawdust, he has appeared across a wide range of programs, from Britton & The Sting and Lola Kirke with Odetta to Huang Ruo’s *A DUST IN TIME* (NY premiere) and Kaoru Watanabe’s *Bloodlines Interwoven*.
George
George is a stand-up comic and cultural commentator whose work turns everyday language and public life into material. His background includes writing and performing sharp, taboo-aware routines that test the limits of what a joke can hold.