Mary Droppinz, TWONSKi, Le Camille, Skepsis, KC + moreclubFull Venue

Mary Droppinz, TWONSKi, Le Camille, Skepsis, and KC are a rotating slate of Rock/Pop performers appearing at Elsewhere in New York City, often shaped by the venue’s cross-genre bills. Their recent live context includes events and support slots alongside acts such as Babehoven, Tycho (DJ Set), Teen Daze, Danny L Harle, and Poolside (DJ Set), spanning rooms like Zone One and The Hall.

Mary Droppinz is a rock/pop artist whose live work in New York City has frequently centered on Elsewhere, moving between the room’s club energy and its more intimate stages. Her performance history there includes bills with Babehoven and KatzPascale for the ANTICS fundraiser, as well as appearances alongside Tycho (DJ set), Danny L Harle, Teen Daze, and Poolside (DJ set).

TWONSKi is a Rock/Pop group in New York City’s live circuit, with regular appearances at Elsewhere. Their credits there span mixed bills and scene-crossing lineups, including the ANTICS Fundraiser with Babehoven and KatzPascale, shows alongside Teen Daze and 2nd Grade, and DJ-set pairings with artists like Tycho and Poolside.

Le Camille is a rock/pop artist who has brought her work to New York City stages, including The Bowery Ballroom. She has appeared on bills with acts such as Kaivon and Squired, situating her sound in a contemporary live circuit that moves between rock structure and pop pacing.

Skepsis is a Rock/Pop artist who works the New York City circuit, including performances at Elsewhere. Their credits span mixed bills and scene-adjacent events, from the ANTICS Fundraiser with Babehoven and KatzPascale to nights shared with artists like Teen Daze, Tycho (DJ Set), Poolside (DJ Set), and Danny L Harle at The Hall.

KC is a rock/pop performer in New York City’s club circuit, with recent appearances at Elsewhere and The Bowery Ballroom. Their name inevitably echoes the legacy of the 1970s hitmaking disco group that drew its initials from singer Harry Wayne Casey, a reference point that shadows the billing even when the music moves elsewhere.