Performatist
    Rock/Pop

    King GarbageGrammy Award-winning band has worked with Jon Batiste, The Weeknd and SZA.

    Illustration for King GarbageGrammy Award-winning band has worked with Jon Batiste, The Weeknd and SZA.

    Friday, July 17, 2026

    9:30 PM

    The Bitter End

    147 Bleecker St, New York, NY 10012

    Scheduled

    About This Event

    Grammy Award–winning rock/pop band King Garbage plays The Bitter End, a room that favors direct musicianship and close ensemble work. Their résumé includes collaborations linked to Jon Batiste, The Weeknd and SZA, and their set leans on tight playing and song-forward arrangements that emphasize groove and clean dynamics rather than large-scale production.

    About the Artists

    King GarbageGrammy Award-winning band has worked

    King GarbageGrammy Award-winning band has worked

    King Garbage is a Grammy Award–winning group working in the overlap of rock and pop, with a résumé that includes collaborations connected to Jon Batiste as well as artists like The Weeknd and SZA. In New York City, they appear at The Bitter End, a room that favors direct musicianship over production.

    King Garbage

    King Garbage

    King Garbage is a rock/pop group that turns up in New York City bills at The Bitter End, where tight rooms reward precision. The band’s résumé includes work connected to Jon Batiste, The Weeknd, and SZA, placing them in a wider network that moves between contemporary R&B, pop, and guitar-driven forms.

    The Weeknd

    The Weeknd

    The Weeknd is the stage name of Abel Tesfaye, a Canadian singer-songwriter, producer, and actor whose work sits between pop and alternative R&B, with a rock-leaning edge in live settings. His catalog is built around a high tenor and frequent falsetto, framed by noir-tinged storytelling and carefully constructed visual worlds.

    SZA

    SZA

    r&b

    SZA is an artist whose recorded work moves through contemporary R&B, with traces of electronic texture and pop-rock structure. In New York City, her music turns up in live contexts tied to rooms like The Sultan Room and The Bitter End, where her songs are re-framed by the intimacy of the stage.